Benjamin Bayl
Conductor
“Bayl conducts the orchestra to a thrilling and at times breathtaking reading, with an irresistible arc that is maintained for the entire duration of the evening [Beethoven Symphony no.5; The Hanover Band]”
— The TimesLatest
Benjamin Bayl is a conductor of remarkable versatility, equally at home in the worlds of symphonic, operatic and period-instrument performance. Co-Founder of the Australian Romantic & Classical Orchestra, he is widely recognised for his historically informed approach to baroque, classical and romantic repertoire, as well as his flair for opera and contemporary music.
Upcoming Performances
Highlights
Opera
Bayl has conducted at leading houses including Wiener Staatsoper, Staatsoper Berlin, Dutch National Opera, Royal Danish Opera, Opera Australia and Polish National Opera. His repertoire spans Mozart, Handel, Gluck and Purcell to Bizet and Bernstein, in collaboration with directors including Claus Guth, Ivo van Hove and Mariame Clément.
Symphonic
Bayl has appeared with many orchestras throughout Europe, Scandinavia, Asia and Australasia. Highlights include the Sydney, Melbourne & Queensland Symphony Orchestras, Royal Liverpool Philharmonic, Hungarian National Philharmonic, Hong Kong Philharmonic, Malaysian Philharmonic, Taipei Symphony and Zagreb Philharmonic Orchestras. His programmes range from the Viennese classics and Romantic symphonic repertoire to new commissions.
Period Performance
Co-founder of the Australian Romantic & Classical Orchestra and former Associate Director of The Hanover Band, Bayl brings historical insight to repertoire from the Baroque to Romanticism. Often directing from the harpsichord or fortepiano, he has led projects with Collegium Vocale Gent, Akademie für Alte Musik Berlin, Concerto Köln, B’Rock, Concerto Copenhagen and Wrocław Baroque Orchestra.
Contemporary
Bayl’s work with living composers includes world premieres and newly commissioned opera and orchestral music. Highlights include Johanna Doderer’s Fatima at Wiener Staatsoper, Helmut Oehring’s AscheMOND at Staatsoper Berlin, and the world premiere of Ivan Fedele’s Lexikon III with Orchestra Haydn di Bolzano.
“The performance is without a doubt peerless. Conductor Benjamin Bayl proves why he can call himself a master of the genre… the orchestra leaves a particularly spectacular impression [Gluck: Iphigenie en Tauride; Opera Vlaanderen]”
— De Standaard