Benjamin Bayl

 

 

 

"Bayl never leaves a note sounding indifferent, always looking for the balance of orchestral sonority in his dynamic interpretations" 

- LA NUEVA ESPAÑA

 

 
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Upcoming performances

 
 
 
 
 
 
 

"Bayl held the musical parameters perfectly in balance, like a tightrope walker"

- DER WESTEN

 
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Biography

Benjamin Bayl is Associate Director of The  Hanover Band, and Co-Founder of the Australian Romantic & Classical Orchestra. Holding both Dutch and Australian nationality, he was the first Australian Organ Scholar of King’s College Cambridge, and then studied conducting at London’s National Opera Studio and Royal Academy of Music. He was appointed Assistant Conductor to Iván Fischer at the Budapest Festival Orchestra and the Konzerthausorchester Berlin. He also assisted Sir John Eliot Gardiner, Yannick Nézet-Séguin, Daniel Harding and Richard Hickox with world  class ensembles such as the Chamber Orchestra of Europe, Orchestre Révolutionnaire et Romantique and Mahler Chamber Orchestra.

Benjamin has made highly successful debuts in recent seasons with Hong Kong Philharmonic Orchestra; Sydney, Melbourne, Queensland and Canberra Symphony Orchestras; Royal Philharmonic Orchestra; Malaysian Philharmonic Orchestra; Auckland Philharmonia Orchestra; Orquesta Sinfónica del Principado de Asturias; Orquesta Filamónica de Medellín; Mahler Chamber Orchestra (Musikfest Berlin in the Berlin Philharmonie and Ruhrtrienniale Festival); Taipei Symphony Orchestra; Philharmonie Zuidnederland; Orchestra Haydn di Bolzano; Orchestra i Pomeriggi Musicali; Orchestra Filharmonica di Torino; the German symphony orchestras of Aachen, Bochum and Bremen, as well as numerous Scandinavian orchestras including Stavanger, Gävle, Umeå, Aarhus, Aalborg, Odense & Copenhagen. He is naturally at home with broad range of repertoire embracing the great Viennese classics, historically informed Baroque and Romantic music, and world premieres of new commissions.

In the realm of opera, he has conducted at major international houses including Wiener Staatsoper, Dutch National Opera, Staatsoper Berlin, Staatsoper Stuttgart, Royal Danish Opera, Norwegian National Opera, Theater an der Wien, Opera Vlaanderen, Opera de Oviedo, Budapest State Opera, Polish National Opera, Deutsche Oper am Rhein, Opera Zuid, NorrlandsOperan, Theater Aachen & Opera Australia. 

He is also extremely active in the period instrument world as a director. Highlights include his debut in the Amsterdam Concertgebouw with Collegium Vocale Gent and Akademie für Alte Musik Berlin, Concerto Köln in the Bayreuth Baroque Festival & Theater an der Wien, and appearances with B’Rock, Vocalconsort Berlin, Concerto Copenhagen, Wroclaw Baroque Orchestra, Orkiestra Historyczna, Australian Haydn Ensemble, Van Diemen’s Band Tasmania, and The Hanover Band - with whom he recorded a complete Beethoven Symphony cycle for online broadcast. 

International festival engagements include Edinburgh, Savonlinna, Melbourne, Cartagena, Euro Klassik Berlin & Chopin Festival Warsaw. He also works extensively with young musicians, often directing projects for organisations including the Australian National Academy of Music, the Netherlands Youth Orchestra, and the Slovak Youth Orchestra. 

Current and forthcoming season highlights include engagements with the major Australian orchestras, Victorian Opera, Staatsoper Hannover, Mozart Festival Warsaw, Orchestra di Padova e del Veneto, Opera Vlaanderen, Staatsoper Stuttgart, Sinfonieorchester Aachen, Wroclaw Baroque Orchestra and Orfeo Zenekar Budapest.  

 
 
 
 
 

“Schumann’s Spring Symphony caught fire and came to life… the melodic phrases were carried forward with effortless and unerring musicality.”

- NORDJYSKE Stiftstidende


the telegraph

ROSSINI "STABAT MATER"
HANOVER BAND & CHORUS

"He unleashed sounds from these period instruments that showed how radical Rossini was, and how indebted to this work is Verdi’s Requiem"

politiken

MOZART "COSÌ FAN TUTTE"
DANISH NATIONAL OPERA

"The electric lights and the numerous modern instruments in the orchestra pit would have probably surprised old Wolfgang Amadeus… On the other hand, I think he would have liked Benjamin Bayl’s conducting."

der kurier

DODERER "FATIMA, ODER VON DEN MUTIGEN KINDERN"
WIENER STAATSOPER

"Conductor Benjamin Bayl and the orchestra of the Staatsoper perform Doderer’s music with devotion, making the beauties of this score ring out."

the times

ARNE “THE JUDGEMENT OF PARIS” BAMPTON CLASSICAL OPERA
WIGMORE HALL

"A golden apple and a few flirtatious glances aside, this was a concert performance but a pleasingly sung one, directed from the harpsichord by Benjamin Bayl, who revelled in Arne’s dapper tunes, busy violin descants and sizzling coloratura."

 
 
 
 
 
Benjamin Bayl conducts the Australian Romantic & Classical Orchestra in Beethoven's timeless and dramatic overture.
 
 
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